Showing posts with label Nick Herbert. Show all posts
Showing posts with label Nick Herbert. Show all posts

Thursday, July 6, 2023

August O'Connor (1951 - 2023)

August O'Connor in meadow with big bodhran.


 AUGUST O'CONNOR (1951--2023)

Born in Southern California in 1951, the middle girl between two brothers, Raleigh and Greg, August O'Connor early experienced a love of animals, drama and mystery. She raised pet rats and played with snakes. And face-painted, dressed in leotard, rabbit skins, leather aviator helmet and shaking a coyote-skull rattle, she entertained her high school classmates as "Animal Woman: Protector of all speechless creatures." She starred in student plays, performed in an all-girl band and, starting as a freshman, she edited her high school's literary magazine.
 
After graduation, while living in Claremont, she met and married Bill O'Connor. Shortly afterwards they moved to Capitola where they attended St. John's Episcopal Church before moving to San Francisco to work at Grace Cathedral.

For eight years at the Cathedral, August O'Connor served as assistant verger, supporting Bishop Swing in ceremony, designing vestments and providing counseling, For six years she worked as chaplain at San Francisco General Hospital during the rise of the AIDS epidemic.

In recorded conversation with San Francisco social historian Lynne Gerber about her AIDS and other work, August recalled: "Lots of different lives but there is a chaplaincy thread running though it. The thread is love, I'd say, the thread is willingness to love. And to be loved, you know, because when you open your heart to someone, you might not be loved, you know." August's motto, painted on her gate post, is: "Every blessing on all beings."
 
August has worked in every aspect of the visual arts from large oil paintings to cartoons. In the 70s she was Art Director of Good Times, Santa Cruz's largest weekly newspaper. She designed logos for several businesses including Zoccoli's Deli and Pink Godzilla; producing signs, murals and window displays for numerous local shops. She also fashioned necklaces, earrings, bracelets, Celtic knot tattoo designs and unusual hand-hammered copper sculptures based on double spirals which she called "Buddha-mind roller coasters."
 
After leaving Grace Cathedral, August and her friend Nick Gardner began attending Native American sweat lodge ceremonies in Marin and Shasta counties under the direction of Karuk medicine man, Charlie "Red Hawk" Thom. When she moved back to Capitola, August mentored under medicine man Indio, eventually running her own sweat lodge events when Indio became ill. August's sweat ceremonies, carried out with Nick Gardner on the beach a few miles south of Pigeon Point lighthouse, drew a wide variety of attendees primarily from the nearby University in Santa Cruz. Also with Nick Gardner, she enjoyed many trips into the wilderness which she loved. 
 
In her home in Capitola, on one city lot, August put together a voluptuous Mediterranean garden crowned by an orchard of olive, apple, plum, lemon, loquat and persimmon trees. In addition to wild profusions of flowers, the garden produced food – lettuce, tomatoes, beans and potatoes as well as fruit from its trees. August's garden was a haven for bees, butterflies, bats and small mammals and had been officially certified as Wildlife Habitat #29951 by the National Wildlife Foundation.
 
August was a splendid chef, could create a tasty meal out of most anything. At San Francisco gatherings, she garnered admiration for her party specialty: chocolate truffles. Her turmeric toast made an unusual breakfast treat and August's mushroom omelettes were arguably the best in the known universe.
 
August sang and played guitar and bodhran (Irish frame drum). With flute-and-whistle player Kim Fulton-Bennett, they formed the Celtic duo Dobhran (Gaelic for "otter") which played at weddings, wineries, coffee shops and private parties and they also recorded a few instrumental CDs. Dobhran has performed at numerous Scottish and Irish festivals in Santa Cruz and Ben Lomond. A familiar presence at local Irish music sessions, August recently started a new group called Blarney with Kim, Nick Herbert and Matt Johnson, which has performed on stage, at private parties and most recently at an Irish wake in Boulder Creek.
 
Friends have described August's character variously as "playful dignity", as "innocent sophistication", as "kaleidoscopic life force",  as "remarkable, unique, eccentric",  and as "a tempestuous whirlwind." She herself explained "My life/is one kiss/with life."
 
She was hospitalized recently in Santa Cruz for a serious infection. And, on March 24, a week after St. Patrick's Day, early in the morning at age 72, this former chaplain, artist, musician, sweat lodge leader, gardener, beautiful and loving woman, August (Augie) O'Connor, passed away peacefully in her sleep.

Says Nick Herbert: "August came from a larger place and shared some of that with the rest of us."

Said one good friend: "August filled pages; she was a tome."

Added another: "August was an Irish rose."




I LIKE MY HANDS
https://quantumtantra.blogspot.com/2023/07/i-like-my-hands.html


Friday, July 2, 2021

Sex Manual

Nick Herbert, Quantum Tantric Philosopher

 As long as I've known him, my friend Alan Lundell has always carried a video camera on his person to record a kind of visual diary of the many events he originated or participated in from numerous Burning Mans, to lots of private parties, to lifting weights at the gym, to backstage celebrity scenes. So ubiquitous is Alan's camera that the word in philosophy circles became this: if a tree falls in the forest, and Alan doesn't video it, then that tree never fell.

One of the events that Alan happened to memorialize was the Boulder Creek Bistroscene where for ten or fifteen years, crazy poets came out of the woods to share their outpourings with one another and with an enthusiastic audience. Al managed to video a number of these gatherings and so convey on them a concrete reality they otherwise would never possess.

I recently ran across one of these Lundell-memorialized events on my computer while searching for something else. This one is myself reading a recipe for the best possible sex.

Thank you, Alan Lundell, for recording this historic event.

Here's how it goes:

SEX MANUAL

Love is the best lubricant
Mind the best sex toy
Darkness the best light
Spirit the hottest erogenous zone

Smell is the best sex drug
Eye-play the warmest caress
Touch the best language
Taste the most intimate gesture

Silence the best music
Desire the best teacher
Yes, naked desire is the best teacher
And silence the best music

Taste the most intimate gesture
Touch the best language
Eye-play the warmest caress
Smell the best sex drug

Spirit the hottest erogenous zone
Darkness the best light
Mind is the best sex toy
Love is the best lubricant.


Saturday, June 5, 2021

Forty Memorable Fucks

Nick in his new bath pavilion

40 MEMORABLE FUCKS


Actually some of My Forty Fucks are not sexual at all but what they have in common is a strong and  instructive connection with The Mysterious Other -- in this particular list I define The Other to be a member of the opposite sex.

Sometimes on various mind-altering drugs. Sometimes completely straight.

Just for fun a while ago I made a list of (for me) Forty Memorable Fucks. Since then I have added more items, both through subsequent happenings plus reminiscences of ones I'd long forgotten.
It's more than forty now.

Are you the least bit interested in exploring what sexually astonishes you? I encourage you to put together your own list of memorable fucks. Since I was somewhat shy and ignorant in those days, your list will probably be much much longer than mine.

Here's one simple example of a (non-sexual) incident from my list. It may not mean that much to you but it seemed at the time profoundly important and insightful to me.

Your fuck memorable mileage may vary of course.


South of Esalen Institute in Big Sur a public campground is located near the beach at Lime Kiln Creek. There's also a restricted access private campground that extends into the hills and encompasses the actual lime kilns for paying customers only and (in our case) we were friends with the manager of the camp.

My future wife Betsy Rasumny and I car-camped at the private Lime Kiln park, spending a few days there, and decided to explore the premises on LSD. We wandered up to the famous lime kilns and viewed them in their ritualistic splendor.

Betsy was a dancer trained both in ballet and dance improv in New York City and at the late Ann Halprin's Dancer's Workshop in San Francisco. So I was surprised when we crossed Lime Kiln Creek barefoot (and probably naked as well) that she was stumbling over the smooth rocks that lay beneath the surface of the stream, while I (totally untrained in dance) had no problem in skillfully traversing this little Big Sur rivulet.

"Hey Betsy," I shouted. "I thought you were a dancer. What happened to your gracefulness?"

Betsy looked me straight in the eye and replied: "Nick dear, dance is not only about grace."

And in that moment I wordlessly realized that she with her seemingly clumsy movements was moving fully in the imperfect moment while I, who am accustomed to seeing life more as a problem to be solved rather than a miracle to be savored, was experiencing what was happening from a totally different perspective.

It's not that her way was better than mine. But her answer raised a question in my mind that persists to this day.

Betsy was expert in living in the present; Nick's monkey mind is usually somewhere else entirely .

Is being clumsily fully present better than being gracefully fully in charge?

In Esalen co-founder Mike Murphy's terms, what is the way to more deeply employ and enjoy  "this life we are given?"

And could your own Five or Five Hundred Memorable Fucks become useful clues for learning to live more fully this strange miracle of waking each morning inside a needy animal body?

Tuesday, May 25, 2021

Five Views of Lao Tzu

Lao Tzu, the "Old Master"

 FIVE VIEWS OF LAO TZU

In the late 60s I discovered the Tao Te Ching, a 2500-year-old Chinese text attributed to Lao Tzu, the "Old Master", which forms the basis of Taoist philosophy and is one of the world's most translated books. Over the years I've collected about a dozen versions of this Chinese classic and would like to share five of my favorites here.

"Tao Te Ching" literally means "Way Virtue Book"or "Book of the Virtue of The Way" and its 81 concise chapters concern themselves with eliciting the nature of The Way (Tao) and how and why one might best follow that Way. Tao might also be construed to mean "Nature", both physical nature and especially human nature. The Tao Te Ching tries to capture the unspeakable elusiveness, ambiguity and power of human and physical nature, The Chinese character "Tao" is also  the "-do" in Aikido, Tai Kwan Do and similar oriental martial arts. Spontaneous dance, jazz improv, surfing: each a splendid embodiment of the Tao. Especially surfing.

The popular philosopher Alan Watts never attempted a translation of this ancient Chinese text. But Watts did write a book on Taoism naming it "The Watercourse Way."

Bushido (Japanese): the way of the warrior.

In keeping with the quirky nature of this sacred Chinese text, the Tao Te Ching begins with a pun. The Chinese character "Tao" can mean both "the Way" and "to speak". So the first line of the watercourse way can be rendered "The tao that can be taoed is not the tao." From then on it just gets deeper.

Here I'm posting five different versions of Lao Tzu's first short chapter by five very different translators (including myself).

First up is Ursula Le Guin, a prolific author of science fiction and fantasy, whose NAFAL (Nearly-As-Fast-As-Light) starships and her instant ansible communicator entered the sci-fi canon and has been adopted by other writers. Le Guin's stories, however, are not primarily about hardware but about people, and about cultures depicted in empathetic and imaginative prose. Of the five translators, Le Guin, because of her sympathetic treatment of so many of her fictional people,  seems best positioned to express the human nature of the Watercourse Way.

Taoing

The way you can go
isn't the real way.
The name you can say
Isn't the real name.

Heaven and earth
begin in the unnamed:
name's the mother
of the ten thousand things.

So the unwanting soul
sees what's hidden
and the ever-wanting soul
sees only what it wants.

Two things: one origin
but different in name,
whose identity is mystery.
Mystery of all mysteries!
The door to the hidden.

US postage stamp honoring Ursula Le Guin

When I was working at Memorex in Silicon Valley, on my long drive home to Boulder Creek, I would sometimes stop for hot tub, tea and conversation at Stillpoint, a mountain top retreat center presided over by Gia-fu Feng, who taught Tai Chi and kept the books on his abacus in the early days of Esalen Institute. Gia-fu christened my son Khola at Stillpoint and gave him a Chinese middle name "Shou" which means 'long life". Gia-fu and his wife, physicist/photographer Jane English put together one of the most physically beautiful versions of the Tao Te Ching illustrated with Jane's evocative black-and-white photographs and Gia-fu's hand-drawn calligraphy. Of all five translators (including me) Gia-fu is the only one that spoke Chinese.

The Tao that can be told is not the eternal Tao.
The name that can be named is not the eternal name.
The nameless is the beginning of heaven and earth.
The named is the mother of ten thousand things.
Ever desireless, one can see the mystery.
Ever desiring, one can see the manifestations.
These two spring from the same source but differ in name:
     this appears as darkness.
Darkness within darkness.
The gate to all mystery.


Gia-fu Feng at Stillpoint

 Next up is former Harvard professor and LSD advocate Timothy Leary. I interacted many times with Leary (never got stoned with him) in several different contexts. Leary holds the unusual distinction of being arrested and imprisoned for carrying (a tiny bit of) marijuana INTO MEXICO. Even after drugs Leary was an instinctive academic and wrote lots and lots of books about his experiences with these then-outlawed mind-altering substances. Leary's version of the Chinese classic, Psychedelic Prayers, imagines that the 81 verses of the Tao Te Ching describe the perfect acid trip.

That Which is Called The Tao

Is Not The Tao

 

The flow of energy .  .  .  .  .  .

Here  .  .  .  .  
              It  .  .  .  .  .  .
              Is  .  .  .  .  .  .

Nameless  .  .  .  .  .
Timeless  .  .  .  .  .
Speed of light  .  .  .  .  .

Float  .  .  .  .  .  .  beyond fear  .  .  .  .  .
Float  .  .  .  .  .  .  beyond desire  .  .  .  .

Into  .  .  .  .  .  this Mystery of Mysteries
through this Gate  .  .  .  .  .  of All Wonder 

Dr. Timothy Leary, PhD

My first literary introduction to the Pathless Tao was via The Way of Life by Witter Bynner. Bynner was a Harvard graduate, a scholar and writer who divided his time between Sante Fe, NM and Chapala in Mexico. Bynner was a close friend of D. H. Lawrence with whom he explored Mexico and gathered experiences that inspired Lawrence's novel The Plumed Serpent. Bynner's version of the Tao appears a bit dated compared to Ursula Le Guin's splendid modern rendition, but I first fell under the spell of the Tao through his particular words. And first loves are often our most memorable.

Existence is beyond the power of words
To define:
Terms may be used
But are none of them absolute.
In the beginning of heaven and earth there were no words.
Words came out of the womb of matter;
And whether a man dispassionately
Sees to the core of life
Or passionately
Sees the surface,
The core and the surface
Are essentially the same,
Words making them seem different
Only to express appearance.
If name be needed, wonder names them both:
From wonder into wonder
Existence opens.

Witter Bynner by Rockwell Kent

My own version of the Tao Te Ching is inspired by the crazy paradoxes of quantum theory. Here we have a perfect mathematical representation of the world. But not even the smartest physicist can explain to his kids "what Nature is actually doing" at the sub-atomic level. Nor can we really justify how this unvisualizable quantum reality turns into the ordinary reality we experience every day. I hoped eventually to devise a physics version of all 81 chapters of the Chinese classic, but only managed to compose the very first. To follow the tradition of beginning with a pun, I use the term "quantum state" as a physicist's customary way of representing the invisible quantum world. None of us really know what sort of "reality" corresponds to a quantum state, but a good deal of modern technology (this computer for instance) directly grew out of our increasing ability to manipulate these mysterious mathematical objects.

THE TAO OF PHYSICS

The state you can state is not things-as-they-are
Language, like highway, goes only so far
Unnamed is the Source from which everything springs
Naming gives rise to the "Ten Thousand Things"
Unlooked at: She exceeds what can possibly be
What you get when you look? No more than you see
Yet the world She is One whether looked at or not
Nature's own nature's not something that's taught
But reach out to feel Her invisible flesh
Hear, see and smell: everything fresh!

 

Nick Herbert composed this post

 

 

 

Monday, March 16, 2020

Happy St Paddy's Day 2020


I'm reposting this St Paddy's Day greeting from
August O'Connor (bodhran) and
Nick Herbert (tin whistle).

SONG OF THE IRISH WHISTLE
with apologies to Joanie Madden

Sure, it's a holy instrument
Like everything that comes from God
You must learn to hold her reverently
Like Father Kelly's Holy Wafer
Or a patch of Irish sod.

Close your lips around her fipple
And thru her narrow airway
Blow a prayer across that tilted floor
Called "labium" when there's one of them
And "labia" when there's more.

Now the noise she makes is frightful
Like a pack o' banshees wailin'
The men are rising from their seats
And now your life depends
On the music you can coax from her
With your fancy fingerin'

Sure breathin' (and tonguin') have to be mastered
But they're just a part o' the thing
For it's how ye move yer flesh
Across the openings, laddie,
That makes the Irish whistle sing.

You may play in a grove
You may play in a pub
You may play with a maid in the spring
But playing the Irish whistle
You must mind your fingering
For it's how ye move yer flesh
Across the openings
That makes the Irish whistle sing.

Sure, it's how ye move yer flesh
Across the openings
That makes the Irish whistle sing.




Saturday, July 7, 2018

The Kalamidas Effect as Fake News


The Kalamidas Effect as Fake News

This month marks the 10th anniversary of Quantum Tantra blog for which I will soon be publishing a retrospective. But as I was reviewing dozens of exciting projects reported here, one event shone out in my mind, the day I was standing in my friend Reno's driveway overcome by intellectual ecstasy: I had calculated a way to send signals faster-than-light (FTL).

My thrill lasted only a few hours till a friend found an error in my calculation.

This particular FTL mind high was instigated by Demetrios Kalamidas, a Greek-American physicist, now employed by Raith Nanofabrication, who had recently published in an optics journal a particularly ingenious FTL communication scheme. The quest to refute Kalamidas's proposal was for me a particularly fine adventure: my brief ecstasy in Reno's parking lot was the result of calculating my own refinement of the Kalamidas effect; and it was Demetrios himself who pointed out my math mistake.

I called the Kalamidas proposal KISS (for Kalamidas's Instant Signaling Scheme) and documented the struggle to refute this scheme in six blog posts.

1. KISS: A New Superluminal Communication Scheme
2. Demetrios! The Opera
3. The Kalamidas Experiment
4. FTL Signaling Made Easy
5. Kalamidas Refuted
6. The Kalamidas Experiment -- Easy Pickins
A seventh post: 7. Some Notes on Quantum Entanglement provides useful background material for understanding FTL proposals of the Kalamidas kind.

When DK put forth his proposal, it attracted the attention of three prominent physicists, GianCarlo Ghiraldi (Trieste), John Howell (Rochester) and Christopher Gerry (CUNY), one of DK's former teachers, who each quickly came up with three different but quite solid refutations.

These three separate refutations should have put an end to the Kalamidas affair, but the feisty Greek came back fighting. Since you know I am wrong, Demetrios replied, it should be "easy pickins" for you to point out my specific mistake. General proofs are fine, but the devil is in the details. Show me that devil, Kalamidas challenged his critics.

The first detailed calculation of the Kalamidas effect was due to Martin Suda at the Technical University of Vienna followed by a similar calculation by Nick Herbert from Boulder Creek. Both of us showed why KISS wouldn't work but the physical meaning of some of the terms in our calculations were difficult for us to understand. But after much conversation, these difficulties were eventually resolved.

And that was the end of the KISS affair. Or was it?

One of the features of the Kalamidas proposal is its extreme cleverness, a feature, that in my opinion, has been insufficiently recognized and appreciated. I intend in this post to briefly explain the Kalamidas effect, and to show off its beauty by placing it in a more familiar context than the physics of photons.

Modern FTL communication schemes conventionally involve two QUANTUM-ENTANGLED photons A and B -- one sent to ALICE and the other to BOB.

Since Bell's Theorem seems to prove that entangled photons such as A and B are  instantly connected, there exists some hope that clever action by BOB on his (B) photon might have some measurable (and instantaneous) action on ALICE's distant (A) photon. However, by using the same quantum math that describes entanglement one can easily prove such instantaneous signaling to be impossible. (To which John Bell was said to have famously remarked that what impossibility proofs show is failure of imagination.)

The KISS scheme begins with a pair of PATH-ENTANGLED photons. This situation is difficult to visualize (because it's a quantum thing) but easy to produce in any modern optics lab. In the manner of Schrödinger's famous Cat, each photon takes two paths at once (path #1 and path #2) as long as you do not observe it. Furthermore, the path of Alice's photon A is perfectly correlated with the path of Bob's photon B: if photon A is observed to be present in its path A1, photon B will be found also in its path B1.

FIG 2 shows a path-entangled photon source S, sending one photon to Alice on the left and a second photon to Bob on the right. Under certain conditions a photon that takes two paths at once can be made to INTERFERE with itself. To prepare for this eventuality, Alice has constructed an INTERFEROMETER by combining her two photon paths at a 50/50 Beam Splitter BS(A) and by placing a variable phase-shifter Q in path A1.

To look for interference, Alice varies the phase Q of path A1. If two waves meet out-of-phase, they cancel one another, and no photons will be observed in Detector A3. In the other detector, waves will meet in-phase and all photons will be observed in detector A4. When the conditions for interference are met, Alice should be able, by varying Q, to vary the percentage of photons in counters A3 and A4 from 0% to 100%.

On the other hand, when the conditions for interference do not exist, the photon counts at Alice's detectors are always 50% each, no matter how she sets phase angle Q. FIG 2 shows such a no-interference condition (called "the Fock choice", for reasons I won't mention here). Because Bob has chosen to measure which path his photons take, his choice forces Alice's photons to take definite paths as well. Since only a photon that TAKES BOTH PATHS can interfere, Bob's choice of what to look at absolutely precludes any interference on Alice's part.

The gist of any purported FTL signaling scheme is to discover something that Bob can do with his two-path photon that will allow interference to occur at Alice's detectors. Fortunately this is easy to do.

As long as Bob makes any kind of measurement that reveals which path his photon took, he destroys any chance of interference. On the other hand if Bob makes a measurement which ERASES which-path information, then interference at Alice's site becomes possible.

The essence of the Kalamidas proposal is his discovery of a clever scheme that Bob can use for erasing his which-path information.

The simplest way that Bob can erase his which-path information is to create an interferometer just like Alice did. An interferometer combines both paths without prejudice. Once so combined, the question of "which path?" becomes meaningless.

FIG 3 illustrates Bob's choice to measure his photon using an interferometer (called "the Frost choice" for reasons not relevant here). Bob's choice does indeed lead to measurable interference at Alice's detector, but there is a condition on this interference that precludes using this setup for FTL signaling.

Bob's interferometer has two outputs, Detectors B1 and B2. If we just look at the output of B1 and what happens at Alice's detectors we observe a clear interference pattern P1.

Likewise, if we just look at output B2, we see an interference pattern P2 at Alice's interferometer.

However these two interference patterns, P1 and P2 are exact complements of one another, where one has peaks the other has valleys. The sum of P1 and P2 is exactly 50% in each of Alice's detectors, hence no interference pattern at all. This feature seems to be common to all putative FTL schemes of the path-entangled type -- that whatever interference pattern Bob's action creates at Alice's site will be exactly canceled by an equal and opposite anti-interference pattern.

The genius of the Kalamidas scheme was that he had apparently created a way that Bob could erase his which-path information without creating a self-canceling anti-interference partner.

Kalamidas begins with the simple which-path setup of FIG 2, and, rather than erasing or recombining Bob's two separate beams, he "ambiguifies" Bob's path information by randomly adding photons from a synced external source in such a manner that for a certain output (labeled (1,1), it is impossible to say which path the photon took. Furthermore, this process is asymmetric: there is no partner anti-process that might produce at Alice's site a self-canceling anti-interference pattern.


FIG 4 illustrates the "Kalamidas Choice". A mirror with reflectivity "r" is introduced into Bob's path B1. This mirror can add or subtract photons from Bob's beam. The added photons end up at detector B3; the subtracted photons end up at detector B4. The source of added photons is designated U1 which produces a single photon a% of the time; and no photon (100 - a)% of the time.

Using this setup, there are many outcomes where "which path Bob's photon took" can be inferred. But there is one special outcome where we are left in ignorance. This is the outcome [1,1] where both B3 and B5 detect a photon. Did the real photon take the upper path and a "fake photon" take the lower? Or did the opposite occur?

A simple physics calculation shows that this abiguification works. Whenever Bob observes the [1,1] outcome, a corresponding interference pattern appears at Alice's detectors. Furthermore, there seems to exist no obvious Bob outcome that could cancel out this singular effect.

I will return to the resolution of the KISS paradox, but first I would like to pursue an amusing metaphor inspired by Kalamidas's clever and beautiful scheme.

For each photonic event, Bob's two detectors can have several different outcomes but only four are important for this discussion. the outcomes [1,0]. [1,1], [0,1] and [0,0] where the brackets enclose the outcomes of detectors B3 and B5 thus [B3, B5]. Let's look at how each of these 4 outcomes might have been produced by the Kalamidas scheme.

1. The [1,0] outcome ostensibly represents TRUTH: one real photon ended up in detector B3. No "fake photons" were added. No "real photons" subtracted.

2. For the [1,1] outcome, one photon is "real", the other is "fake" (it came from the external U1 source, not the original entangled source S) but there is no way to tell which is which, so "which path" information is totally erased for this outcome.

But the situation rapidly gets more complicated as we can see here:


The [1,0] --> [1,1] is analogous to confusing an issue by deliberately adding "fake news". Suppose someone is claiming that certain towers were taken down by demolition charges rather than by airplanes. Instead of defending the airplane story, one can "muddy the waters" by publicizing a claim that the whole thing was "done by holograms".

One of the features of the Kalamidas effect is that, by virtue of the partially-silvered mirror, a photon can be lost from a beam as well as added. This can lead to the peculiar situation [1,0] --> [0,1] where a photon in the upper beam is incorrectly recorded as though it came from the lower beam. This outcome is produced when the upper mirror deletes the upper photon while the lower mirror adds a "fake photon". This complete reversal of the facts finds many an analogy in mainstream media which also employs both fact suppression and fake news oftentimes simultaneously. A common example is the fabrication of atrocities on the part of the enemy (fake news) while unreporting the atrocities carried out by "the good guys". I call this "switched news", in which the truth is the very opposite of what the media presents. As it turns out, "switched news" is crucial to the resolution of the KISS paradox: what prevents Kalamidas's clever scheme from working?

In the final Kalamidas transformation [1,0] --> [0,0], neither of Bob's primary detectors detects a photon. Whatever channel once held a photon, that photon has been censored, sequestered, quashed, hidden from public view, leaving no evidence of which channel it once occupied. In the media analogy, suppressing the true facts is a not uncommon way of conducting government business as the brave work of Edward Snowden, Julian Assange and many others has shown. "What never happened" never needs to be justified.

Make no mistake, fake news, switched news and suppressed news is not confined to obscure photon physics experiments. It constitutes most of what you see and hear on TV. And other media forms are not immune.

Speaking of obscure photon physics experiments, we now return to the resolution of the Kalamidas proposal. As it turns out, all three of these fake processes add enough ambiguity to the question of which path Bob's photon took that they produce interference at Alice's distant site.

But where then is the anti-interference that usually appears to save the day in situations of attempted signaling using quantum entanglement? What exactly intervenes to prevent quantum time travel, humans messing with the past, and general disruption of the space-time continuum?

You might imagine that the [1,1] result is balanced by the [0,0] result, but actually they produce the same kind of interference.

Instead, as calculated first by Martin Suda in Vienna and Nick Herbert somewhere in the redwoods, what cancels out the "fake news" and the "suppressed news", which act in concert, is (surprisingly) the "switched news" which produces equal and opposite interference at Alice's site. No interference. No signaling, FTL or otherwise.



As illustrated by this calculation of interference at Alice's A3 detector as witnessed by my cat.




 

Friday, June 10, 2016

32 Irish County Jig

Several months ago Blarney, the Irish band I'm pleased to be part of, played a concert at a theater in Santa Cruz. The concert was captured on video by Virtual World Studios run by Al and Sun Lundell, also known as Doctor and Mrs Future, whose Doctor Future Show emanates every Tuesday afternoon from our local radio station KSCO (1080 AM). This morning Mrs Future sent me a clip from that wonderful concert that be featurin' me self performin' me own composition.

32 Irish County Jig

There's Wicklow and Wexford, Westmeath and Kilkenny
Waterford, Sligo, Roscommon, Kildare
Meath, Down, Armagh and Derry
Donegal, Monaghan, Leitrim and Clare.

There's Carlow and Cavan, Cork, Tipperary
Fermanagh, Antrim, Longford and Tyrone
Laois, Louth, Galway and Kerry
Limerick, Offaly, Dublin, Mayo.

Matt Johnson, August O'Connor, Kim Fulton-Bennett, Nick Herbert



Saturday, May 21, 2016

Four Meetings

Nick Herbert and Rudy Rucker: Boulder Creek, CA
These days I'm pretty much of a hermit living with my cat Onyx at the Boulder Creek Quantum Tantra Ashram, going into town a couple times a week for food and spending much too much time indoors browsing the Internet. Occasionally however I enjoy meeting offline with real people.

A few days ago my friend, science-fiction writer Rudy Rucker, dropped by for his traditional yearly pilgrimage to Reality House West and brought bread and cheese for lunch. Rudy is best known for his Ware Tetralogy, a high bizarro-density drama of near-future Earth. Rudy is also a publisher (Transreal Books, Los Gatos) and the editor of Flurb, an on-line anthology of high-weirdness sci-fi stories by Rudy and his pals. He also paints pictures in a primitive style suggestive of Grandma Moses on mescaline and is an accomplished photographer.

After the usual jokes about my Dogpatch lifestyle, Rudy and I exchanged gossip and he shared the excitement about his latest project Million Mile Road Trip in which Dark Matter is made of consciousness and is called "smeal". Consciousness is one of our favorite topics and we engaged in the usual speculations typical of humans at this stage of ignorance about the way the world really works. As he departed, Rudy gifted me with Transreal Cyberpunk, a recent collection of sci-fi "buddy stories" written in collaboration with his buddy Bruce Sterling, a similarly daring explorer of edge-science themes.

Gabriel Guerrer and Nick Herbert: Boulder Creek, CA
A week after lunch with Rucker, I was visited by Gabriel Guerrer, a physicist from South America (Sao Paulo, Brazil) who is also interested in the topic of consciousness. Gabriel had worked for a year at CERN investigating the properties of B-mesons -- a peculiar member of the particle zoo that violates time-reversal invariance, a puzzling glitch in the deep nature of things. Gabriel had worked both in high-energy physics and in high-finance but is now situated at the University of Sao Paulo's Center for Anomalous Psychology attempting to replicate Dean Radin's elegant experiment measuring the effect of human intention on a laser-sourced double-slit interference pattern.

We met at my German-born friend Reno de Caro's house where we were joined by Bruce Damer and Allan Lundell (Dr Future) who participated in a conversation centered around the life experiences that led Gabriel (and the rest of us as well) to take an interest in the risky off-beat territory of consciousness research. I was pleased to see that someone so smart, enthusiastic and qualified as Gabriel was carrying on the torch. A good time was had by all. And Reno captured most of our conversation on video.

Patricia Burchat and Nick Herbert: Stanford Physics Department
About this same time last year, Reno de Caro, who is interested in the history of WW II, decided to travel to the Hoover Institute at Stanford which houses one of the world's largest collections of original documents on World Wars I and II. I decided to tag along on Reno's trip to the German-language archives both as a tour guide and as a returning alumnus of the Stanford Physics Department (graduate class of 1967). Stanford is very picturesque, a reflection of its eccentric founders. Reno brought his camera and captured some beautiful scenes, including candid pictures of excited young men and women dressed in suits and gowns to celebrate their graduation from this prestigious institution.

While Reno was busily copying microfilmed pages of the Joseph Goebbels Diaries onto a thumb drive, I ambled over to Stanford's physics and engineering sector which seemed to have quadrupled in size since I left its hallowed halls. I decided to stop in the physics office to inquire who was around during graduation break and immediately ran into Patricia Burchat, whom I recognized from alumni publications as a former head of the physics department. Jackpot! We talked about the changes in the department and what we both found exciting in the field. Before we parted, I mentioned the old grad student Christmas Party tradition of spoofing the professors and the field of physics with corny, insider-joke skits. Burchat replied that this tradition was still going on. And that she was often one of the organizers of these amateur theatrics. I told her about Les Blatt, a fellow grad student, who, if he had not majored in physics, might have made a name for himself writing Broadway musicals. I mentioned that I still possessed the script from Les's clever parody of My Fair Lady and would send her a copy when I returned to Boulder Creek.

Like Gabriel Guerrer, Patricia Burchat had spent time investigating the kinky behavior of B-mesons, not at CERN but at the BaBar B-meson factory powered by the Stanford Linear Accelerator. Burchat was a prime mover of the BaBar collaboration which published hundreds of scientific papers on the behavior of B-mesons and anti-B-mesons -- symbolized by B-bar, an upper case "B" with a line on top, hence the whimsical name for the project and its association with Babar the French elephant who naturally became the mascot of this giant particle physics collaboration. Patricia is presently associated with the Large Synoptic Survey Telescope in Chile which, when completed in 2023, will take high-resolution photographs of the entire sky every three nights for at least 10 years. One of the primary goals of this full-frame sky video is to discern the effect of invisible Dark Matter on the matter we can actually see.

Blas Cabrera and Nick Herbert: Stanford Physics Department
On a second occasion when Reno was copying documents at the Hoover Institute, I took him and his camera on a tour of campus hot spots ending up again at the Stanford Physics Department. Once there I discovered that my old grad student office was now occupied by Blas Cabrera who is famous for designing a detector of magnetic monopoles that picked up a single signal of the right magnitude on St. Valentine's Day 1982. But Cabrera's detector and others like it were never able to repeat this momentous event, leading physicists to conclude that if monopoles really exist they are very rare in this part of the Universe.

In my former office I discussed with the new occupant changes in the department that had taken place since the sixties while Reno took pictures of our conversation. I was especially curious about the giant black-and-white diagrams posted in the hall outside Cabrera's office. They looked like some kind of labyrinth or the esoteric badges of a mysterious secret society. Turns out that they are the detector design drawings for the Cryogenic Dark Matter Search (CDMS). As Cabrera explained to me how these sophisticated detectors were expected to respond to Dark Matter (an explanation I could barely follow), I asked him if these giant charts represented the actual size of the Dark Matter detectors. "No," he replied. The actual detectors are only about 3 inches in diameter" "And made out of Germanium."

I found it a bit odd that the two physicists with whom I spent the most time at Stanford were both involved in experimental searches for Dark Matter: Patricia Burchat in the foothills of the Andes in Chile; and Blas Cabrera thousands of feet underground in an abandoned iron mine in Canada.


Tuesday, April 12, 2016

KHAN: A New Superluminal Signaling Scheme

Kublai Khan: character sketch for Marco Polo by Jose Lopez
KHAN: A New Superluminal Signaling Scheme

A few years ago CCNY graduate Demetrios Kalamidas proposed a clever FTL signaling scheme that was refuted both in general and in its very specifics by an international team of quantum opticians. Details here, here and here. At the heart of the Kalamidas scheme is his original method of which-path info erasure that would seem to merit closer attention. Before Kalamidas, the conventional method of erasing information about which of two paths a photon took was to confuse the observer by combining those two paths, either by directly bringing the two beams together with a positive lens or with a wedge-shaped mirror, mixing the two paths in a 4-port optical beam splitter, or overlapping the two diffraction patterns resulting from each path being sent through one of two closely-spaced double slits. The most beautiful feature of his new scheme is that Kalamidas is able to erase which-path info from two paths without actually having to combine the two paths.

FIG A.  1. Path-entangled photon possessing full which-path info; 2. Erasing which-path info using diffraction at a double slit;  3. Erasing which-path info by combing paths in a beam splitter.
 EQ 1 in FIG A displays the wave function for a typical path-entangled photon. In the same quantum way that Schrödinger's infamous cat can be both dead and alive, a single photon can travel two paths at the same time. The difference is that humans lack the ability to form quantum superpositions of cats but anyone can produce path-entangled photons by the trillions. (It happens naturally at every window pane -- if quantum physics is correct, each photon until it's actually observed exists for an instant in a superposition of both being reflected and being transmitted thru the glass: a mundane example of one photon temporarily traveling two paths at once.)

FIG A1. illustrates the case where which path the photon takes can be decided by merely placing one photon detector in each beam. Examples 2. and 3. show two ways that which-path info can be erased thru combining the two paths. In these two cases the photon can be coaxed into showing off its wave nature by "taking both paths at the same time" and "interfering with itself" with the result that large numbers of identical photons will produce a diffraction pattern or some other periodic behavior that is characteristic of waves of a certain wavelength.

Which-path info erasure leads inevitably to the possibility of forming interference patterns, so a brand-new erasure method (such as that proposed by Kalamidas) can be expected to lead to a brand-new way of forming interference patterns.

FIG B. Which-path info erasure via the Kalamidas Option
FIG B illustrates the development of the Kalamidas Option in three steps. Step 1 shows the path-entangled photon traveling unhindered along both paths. Detectors A and B unambiguously decide along which path the photon actually went and which path was untraveled. In Step 2, Kalamidas puts a 50/50 beam splitter into both path A and path B. Now there are four possible detection events corresponding to the four different detectors [A1 A2 | B1 B2]. I will use the symbol [10|00] to indicate the case where the photon triggers detector A1. And symbol [00|01] indicates that the photon has triggered detector B2. At this stage which-path info is still intact: it is always possible to infer from the detector response which path the photon took. And hence no wave phenomena will be observed.

However the fun begins at Step 3. Here at each beam splitter we introduce a new kind of light which I call "Gray Light" whose photon number is uncertain. Gray Light consists of an equal superposition of one photon |1> and zero photons |0>. Such a number-uncertain beam is not difficult to produce. Its quantum wave function is written:

Ψ = s |0> + s |1>     where s = 1/√2

This use of Gray Light is due to Nick Herbert. In his original FTL proposal, Kalamidas used weak coherent light as his photon-number-uncertain source. The math is more complicated for Kalamidas's original scheme than for Gray Light.

Even with the addition of Gray Light to the mix, photon which-path info is still largely preserved. There are two cases to consider:  Either the photon is in the path (which I call FULL) or the photon is not in the path (which I call EMPTY). 

In the case where path A path is FULL, the addition of gray light leads to FIVE different outcomes [10], [01], [11], [20] and [02]. If path A is FULL, then path B must be EMPTY and the addition of Gray Light to an EMPTY path results in THREE different outcomes for path B, namely [00], [10] and [01]. The number of different outcomes for A FULL/B EMPTY is just FIVE x THREE = 15. Similarly the number of different outcomes for B FULL/A EMPTY is also 15. But four of these outcomes (the so-called "Kalamidas Outcomes") are identical so the addition of Gray Light leads to a total of only 26 different detector outcomes rather than 30.

For most of these outcomes, which-path info is strictly preserved. For instance, outcomes of the form [11]. [20] and [02] can only occur in a FULL path. And outcome [00] can only occur in an EMPTY PATH.

The only outcomes which could have been produced by either a FULL or an EMPTY path are the FOUR Kalamidas Outcomes:

[10|10], [10|01], [01|10], [01|01]    The Four Kalamidas Outcomes

If only one photon is detected in each path, there is no way of knowing whether this was a Gray Light photon added to an EMPTY PATH or a FULL PATH unaltered by Gray Light. The rules of quantum mechanics say that if two processes can lead to the same output, then you must add the amplitudes of these two processes coherently. Coherent addition leads to interference effects. So Kalamidas's trick of adding number-uncertain light can lead to the interference of two beams of light without having to actually combine the two beams. To observe this interference we place a variable phase delay expQ in path B. 

When the input to the Kalamidas Machine is given by EQ 1, namely an equal-amplitude coherent superposition of  FULL A/ EMPTY B and FULL B/ EMPTY A beams, the probability of observing the four Kalamidas Outcomes is:

[10|10] = 1/16 (1 + cosQ)  [10|01] = 1/16 (1 - cosQ) 
[01|10] = 1/16 (1 - cosQ)  [01|01] = 1/16 (1 + cosQ)
COHERENT SUPERPOSITION

The presence of the cosQ term is a sure sign of wave behavior: the two beams, though physically separate are interfering with each other in a periodic way. Only the four Kalamidas Outputs show this wavelike behavior; the other twenty-two outcomes (for whom which-path info is still intact) remain constant while the phase angle Q is varied, rather than oscillating like the KO terms.

If, instead of a coherent superposition, our input to the Kalamidas Machine is an incoherent superposition, then the interference terms vanish. In other words, when the single photon takes BOTH PATHS (coherent superposition), the Kalamidas outputs show waves. When the single photon takes EITHER path A OR path B (incoherent superposition), wave behavior vanishes. For incoherent superposition, the probability for the Kalamidas Outputs becomes:

[10|10] = 1/16    [10|01] = 1/16
[01|10] = 1/16    [01|01] = 1/16 
INCOHERENT SUPERPOSITION

For incoherent superposition input, the Kalamidas outputs are constant. Note that the sum of the probabilities of each of these cases is 1/4, indicating that in a long experimental run, a Kalamidas output can be expected to occur 25% of the time.

The fact that the Kalamidas Machine seems able to detect the difference between a coherent and an incoherent single photon two path superposition is the inspiration for a new faster-than-light signaling scheme I call KHAN (for Kalamidas-Herbert Augmented Nearness).

FIG C. KHAN superluminal signaling scheme
To achieve FTL signaling we need a source of TWO path entangled photons, one photon going to ALICE (along two paths C and D) and one going to BOB (along two paths A and B). The entanglement is such that BOB's path A photon is always linked to ALICE's path C photon. And BOB's path B photon is always linked to ALICE's path D photon. Each pulse of light produces TWO PHOTONS -- one which goes to ALICE and one which goes to BOB. But each of these photons can take two paths at once. Not so easy to explain in words. FIG C explains it better and even includes an equation.

In the KHAN scheme ALICE is the sender and BOB the receiver. ALICE attempts to signal BOB by switching her photon from an INCOHERENT MIXTURE to a COHERENT MIXTURE of paths. Since the Kalamidas Machine responds differently to these two types of light, success would seem to be assured.

ALICE possesses a beam splitter whose transparency she can change from 100% to 50/50 transmission/reflection. When ALICE chooses Option A (100% transmission) her detectors reveal which-path info (Alice's photon takes either path C or path D): Mutual entanglement forces BOB's photon to likewise take a definite path, so the Kalamidas Machine indicates INCOHERENT SUPERPOSITION (no wavelike behavior: no dependence on phase angle Q).

On the other hand when ALICE chooses Option B (50/50 beam splitter) she erases all path information both at her site (and by mutual entanglement) at BOB's site as well. When ALICE chooses Option B, the input to the Kalamidas Machine is COHERENT PATH SUPERPOSITION, so BOB should observe wavelike behavior: periodic dependence on phase angle Q.

For ALICE's Option A: the ALICE/BOB entanglement takes the form:
Ψ (ABCD) = s ( |A0>|C0> + |B0>|D0>)  ALICE's Option A

For ALICE's Option B, the ALICE/BOB entanglement takes the form:
Ψ (ABCD) =S { (|A0> + i |B0>) |C0> + ( i |A0> + |B0>) |D0>}  ALICE's Option B
where S = √2 and s = 1/√2. For ALICE's beam splitter I have used the symmetric convention where both reflections are multiplied by i.
 
When you do the calculation for the KHAN scheme, there is a sense in which both of these things happen -- 1. no waves at BOB's site for ALICE's Option A and 2. waves at BOB's site for ALICE's Option B. But in spite of this marvelous seemingly instant change at a distance from no-wave to yes-wave, this process cannot be used for superluminal signaling.

INCOHERENT: When Alice chooses Option A and measures a photon in her path C, all four output of the Kalamidas Machine have the same constant probability: No wave behavior. Same when Alice measures a photon in path D.

[10|10] = 1/32    [10|01] = 1/32
[01|10] = 1/32    [01|01] = 1/32
OPTION A: ALICE MEASURES PHOTONS AT C

[10|10] = 1/32    [10|01] = 1/32
[01|10] = 1/32    [01|01] = 1/32
OPTION A: ALICE MEASURES PHOTONS AT D

[10|10] = 1/16    [10|01] = 1/16
[01|10] = 1/16    [01|01] = 1/16
OPTION A: ALICE MEASURES PHOTONS AT BOTH C AND D

COHERENT: When Alice chooses Option B and measures a photon in her path C, all four outputs of the Kalamidas Machine show wave behavior of the form [M + N sin Q] where M and N are constant. If we limit our observations only to the case where ALICE observes a photon in path C, then the Kalamidas Machine shows undeniable wave behavior at all four output ports.

This looks good but the worst is still to come. When Alice measures a photon in her path D, all four outputs of the Kalamidas Machine now show wave behavior of the form [M - N sin Q].

Since both these ALICE outputs (C and D) happen at random with equal probability, the total probability of the Kalamidas Outputs is 2M. All wave effects vanish.

[10|10] = 1/32 (1 + sin Q)    [10|01] = 1/32 (1 - sin Q)
[01|10] = 1/32 1 - sin Q)    [01|01] = 1/32 (1 + sin Q)
OPTION B: ALICE MEASURES PHOTONS AT C

[10|10] = 1/32 (1 - sin Q)    [10|01] = 1/32 (1+ sin Q)
[01|10] = 1/32 1 + sin Q)    [01|01] = 1/32 (1 - sin Q)
OPTION B: ALICE MEASURES PHOTONS AT C

[10|10] = 1/16    [10|01] = 1/16
[01|10] = 1/16    [01|01] = 1/16
OPTION B: ALICE MEASURES PHOTONS AT BOTH C AND D

We can see from this explicit calculation of the results of the KHAN scheme, that each INTERFERENCE EFFECT linked to ALICE's path C is exactly canceled by an equal and opposite ANTI-INTERFERENCE EFFECT linked to ALICE's path D. This kind of mutually canceling wave behavior is experienced over and over again by presumptive FTL signaling engineers. Wave behavior undoubtedly appears at BOB's site when ALICE erases her which-path information -- as can be verified by looking at all of BOB's outputs while triggering only on one of ALICE's outputs. But when both of ALICE'S outputs are taken into account -- as is the case in any FTL signaling scheme -- the waveness at BOB's site tied to one of Alice's outputs is EXACTLY CANCELED by the waveness tied to the other of Alice's outputs.   I have dealt with this (seemingly inevitable) phenomenon in a previous post.

So farewell to the KHAN scheme for superluminal signaling. Even though the effort failed, it was fun learning how to carry out the calculations using Kalamidas's clever new method of path erasure. Something imaginative and new like this almost never fails to excite me. Thanks, Demetrios.



Friday, March 18, 2016

St Paddy's Day 2016


SONG OF THE IRISH WHISTLE
with apologies to Joanie Madden

Sure, it's a holy instrument
Like everything that comes from God
You must learn to hold her reverently
Like Father Kelly's Holy Wafer
Or a patch of Irish sod.

Close your lips around her fipple
And thru her narrow airway
Blow a prayer across that tilted floor
Called "labium" when there's one of them
And "labia" when there's more.

Now the noise she makes is frightful
Like a pack o' banshees wailin'
The men are rising from their seats
And now your life depends
On the music you can coax from her
With your fancy fingerin'

Sure breathin' (and tonguin') have to be mastered
But they're just a part o' the thing
For it's how ye move yer flesh
Across the openings, laddie,
That makes the Irish whistle sing.

You may play in a grove
You may play in a pub
You may play with a maid in the spring
But playing the Irish whistle
You must mind your fingering
For it's how ye move yer flesh
Across the openings
That makes the Irish whistle sing.

Sure, it's how ye move yer flesh
Across the openings
That makes the Irish whistle sing.




Sunday, November 1, 2015

Blarney on Broadway

Blarney rehearsing on the Broadway stage.

One of the brightest stars of Irish music in America was Francis O'Neill (1848--1936). Born in Tralibane, County Cork, he immigrated to Chicago where he worked as a police officer and soon rose to become Chief of the Chicago police force. He played the flute, fiddle and pipes, loved Irish music and was inclined to hire Irish cops who played instruments. But what made Francis famous was his zeal in collecting and publishing tunes that he and his buddies heard played by their fellow Irish immigrants. O'Neill's Music of Ireland (1903), his magnum opus, contains 1,850 pieces of music, which even today forms the backbone of traditional Irish music performances.

Chief O'Neill, prodigious Irish tune collector

By the 1950s Irish traditional music was rarely heard, even in Ireland itself, being considered outdated and old-fashioned, and supplanted by modern pop music and rock and roll. But in the 1960s, Irish composer and radio personality Sean O'Riada, was determined to bring this traditional music back into Irish consciousness through his Gaelic-inspired theater music, his radio broadcasts and his support of various music groups, most prominently The Chieftains. Through the efforts of O'Riada and others, Irish traditional music has spread throughout the world and one can now find Irish bands and music sessions everywhere from Croatia to surf city Santa Cruz.

Following in the footsteps of Chief O'Neill, Santa Cruz's own Mike Long collected 1006 Irish tunes he heard played at Santa Cruz sessions in King Street Sessions Tunebook (more tunes than are good for you) (2000) which Mike has generously made available on the Internet.

Sunday, Nov 8, from 2 - 4 pm, at the Santa Cruz Art League theater (located at 526 Broadway Ave), a group of four musicians calling themselves Blarney will be playing an assortment of tunes in the Irish tradition. Some of the tunes are new; most of the tunes are not. And many of the tunes appear in Chief O'Neill's collection (and Mike's as well). It would be almost impossible for anyone to play Irish music today without including more than a few tunes published by this scholarly Irish-American police chief.

In the gallery adjacent the theater, the Art League will be hosting Beasts on Broadway, an exhibit by artists from all over America representing in many media animals both real and imagined. The gallery opens at noon on Sunday.

Come early for the concert and enjoy the art beforehand.

Blarney performance info (click for larger image)