Showing posts with label Luc Sala. Show all posts
Showing posts with label Luc Sala. Show all posts

Sunday, July 15, 2018

The KleurNet Interview


In the flower-filled back garden of Conrad Santos's Boulder Creek Bistro, Dutch entrepreneur and TV producer Luc Sala interviews visionary physicist Nick Herbert concerning mind, matter and quantum tantra for Luc's KleurNet Channel in Amsterdam.

Videoed by local media wizard Allan Lundell (now operating as Dr Future), Luc's interview succinctly captures the gist of Nick's dream of a new sensual science in a mere thirty minutes.

The best TV interview of Nick ever, on his home turf. All killer. No filler.

M57: the Ring Nebula



Tuesday, June 3, 2014

Alexander Shulgin (1925-2014)

Sasha Shulgin shows August O'Connor a brand new molecule
Guest post by my friend and fellow explorer, Luc Sala of Amsterdam.

On June 2, 2014, Alexander (Sasha) Shulgin left this world, nearly 89 years old. With him, the era of the great psychedelic revelation and revolution comes to an end. With the likes of Hofmann, McKenna and Leary he was one of the flag bearers of that era, struggling to free psychedelics from the criminal connotation, the projected dangers and the guilt trips of the establishment. I have known these people, they were my friends and mentors and they helped me realize that reality is a very personal interpretation of something much wider and deeper, that truth is only my truth and that tolerance for the truth of others is the highest virtue. A new paradigm of accepting that the psyche is more than the mind and brains is emerging lately, new research in the potential of these substances is happening, a new and more positive appreciation of what these substances can do for us is manifesting. We have to honor people like Sasha who went before us and dared to explore and experiment, at great personal risk both to their body and their status in society, with the powers hidden in the amphetamines, tryptamines and other psychoactive molecules.
Sasha was a true alchemist, and although he would defend his work as rational science and his inspiration as being instrumental in human progress, I believe he was really motivated by the high of exploring new territory, the enchanted realm of beyondedness. The lab behind his house was his playground, the use of his concoctions alone or with friends his excuse for showing love. I know he was aware of other-world relationships of the power of intention and causation much more than would come out in his lectures and books. He wore this mask of being rational, a scientist, not a mystic. But then we discussed the prerogative of the inventor, or discoverer as he would see it, as to set the tone, name and shape a new substance-- the inventor as reality-creator, not a very rational approach. He was a believer, maybe not in God but certainly in love.

What a life, being able to chart new territory, open new vistas and expand the human experience, share this with friends the world over and feel the love. I always felt his presence, his loving energy radiating towards me when driving towards his farmhouse in Lafayette, in the shadow of Monte Diablo. He was in a way a sorcerer, a servant of the devil, for it takes devils to help one see the One, to break the spell of hypnotic reality formation and enter the inner worlds. Psychedelic experiences and especially the ones that help us see inside our selves and help us in letting go of masks and ego are seldom easy -- we must face the traumas and defenses and the devil inside us. Sasha would joke about this, his humor was his way to deal with the gravity, the consequences of his work, his responsibility for releasing powers into the world with more potential impact than weapons of war. His defense against the mountain behind his house was building his own mountain of wine bottles in his garden and maybe his love for music. (Sasha played the violin and was often invited to help provide the sound track for the annual gathering of bigshots at Bohemian Grove.)

His achievements in chemistry are well known, he is called the grandfather of psychedelics and MDMA,  his (and Anne’s) books are classics, but his legacy goes well beyond the ‘dirty pictures’ of chemical formulas. He was a focal point in the movement, always willing to speak and travel, to share his insights in his own personal way of juggling words, concepts and wisdom.

I have met him many times, in various parts of the world, but the Easter parties at his home were where one could meet the inner circle of the psychedelic illuminati, where psychedelic history was alive, where his central role in that community was evident and natural -- he was the arch-bishop rather than the grandfather of psychedelics. He was an outspoken critic of including psychedelics in the war against drugs, which really was and is the war against liberty and freedom.

With Sasha’s death I feel lost. I am a mere foot soldier in the battle for freedom, for the liberty to think for myself, to learn about myself and to escape the deterministic profiling of DNA, cyberspace superpowers and materialistic society. Where to look now for guidance, for support, for the role-models I need, for the overview and mature authority people like Shulgin provided? I will miss him, and wish for strength and courage for Anne and the worldwide circle of family, tribe and friends who will have to do without Sasha.

Luc Sala, June 3, 2014

For more details see erowid.

Wednesday, July 14, 2010

Going Dutch

Luc Sala 50 Jaaren

Ten years ago, during the waning days of the 20th Century, I traveled to Amsterdam with Al and Sun to celebrate the 50th birthday of Luc Sala, Amsterdam businessman, psychedelic visionary, candidate for the Euro Senate and provocative television producer. I was surprised to see so many canals--this city is rightly celebrated as the Venice of the North--and beautiful old buildings. People had recommended that I visit Amsterdam's Rijksmuseum to see the Rembrandts and Van Goghs but for me experiencing Amsterdam itself, especially at night, was worth a dozen museums. The city is compact and easy to navigate, bounded on the North by the River IJ (pronounced "eye") on which sits Central Station where trains, subways and trams converge. Central Station is near the site of the famous dam on the Amstal River that gave Amsterdam its name.

Centered on Central Station, a series of semi-circular canals of increasing radius cut the city into C-shaped ribbons full of churches, houses, shops, plazas, public buildings, the whole symmetric pattern criss-crossed with numerous bridges. The Dutch are as serious about their pleasures as their work--a nation of rational hedonists. Amsterdam has a boisterous night life and in the early morning hours groups of people can still be seen rushing about in the streets even in parts of the city far from the entertainment district.
Amsterdam's CENTRAL STATION
Hub of city's transportation web

Coming from America which enforces a different brand of liberty than the Dutch, I was naturally curious about Amsterdam's legendary "coffee shops" where adults supposedly can purchase and consume marijuana and hashish without fear of arrest. A tourist newspaper published by the comedy club Boom Chicago gives the straight dope on Amsterdam's coffee shops here.

I wanted to tour as many coffee shops as possible to get a feeling for how people behaved when they could freely consume as much cannabis as they pleased. Alas, I only had 10 days to spend in Amsterdam and the city held out so many other temptations that I was only able to inspect one shop, The Blue Bird (thank you, Katerina Oetjens), on the edge of the Red Light district, where I bought a big chunk of hashish without being arrested. I was curious about the percentage of people who smoke marijuana in a nation where it's legal compared to the percentage of folks who smoke it in countries that pay cops to arrest you for smoking it. My first observation was that The Blue Bird in the afternoon was not particularly busy--people were not crowding into its doors to get high.

Luc Sala's birthday party was held in his TV studio and because of the delicacy of camera lenses, a strict no-smoking rule was enforced. Anyone who wanted to smoke, whether tobacco or marijuana, had to retreat to the stairwells of the narrow multistory building. To get some idea of the percentage of pot smokers among sophisticated Dutch adults I too went outside and toked up (for the sake of science) "the Dutch way", mixing tobacco and marijuana in the same joint. From this one-time survey I estimated that about 10% of the people at Luc's party smoked pot. The rest merrily chose to alter their consciousnesses with various ethyl alcohol concoctions while a surprisingly large number consumed bottled water and soft drinks.

To me it seemed that the percentage of people that smoke pot in Amsterdam is roughly the same as in the USA. By far the most popular intoxicant in the Venice of the North is ethyl alcohol. I shared my estimate with Luc Sala and he concurred. Most people in Amsterdam don't smoke pot, he surmised, because they consider it lower-class.

Here is a real paradox, it seems to me, for sociologists to ponder. The Dutch legalize pot and through taxation derive from it a considerable revenue. America criminalizes pot and spends billions on law enforcement and prisons. And the result: In both countries about the same percentage of people use marijuana.

Another paradox: I was talking to some young Americans about drugs and asked them what was the first drug they used. Marijuana, of course. Why marijuana? I asked. Why not beer or wine? Because you don't need an ID to buy pot.
Nick and Al wading in the NORTH SEA near THE HAGUE